Agnolo di cosimo biography of alberta health

Bronzino produced paintings with religious themes, allegorical and mythological paintings, as well as splendid and celebrated portraits that gave fame and success to an extraordinary painter, who was also a poet and fine intellectual. His entire career took place in Florence: in fact, Bronzino was trained in Florence, began painting in Florence, obtained his most prestigious works, achieved his successes, and ended his career.

Bronzino never moved from Florence except for a brief stay in Pesaro, between and , when he left the city to move in with the Della Rovere family: in fact, Pesaro was part of the Duchy of Urbino. Pesaro was home to the so-called Villa Imperiale, an important holiday residence of the Della Rovere family, and Bronzino had been called here to participate in the decorations along with another great painter of the time, Dosso Dossi.

Agnolo di Cosimo alias Bronzino, Crossing of the Red Sea (detail): Portrait of Pier- francesco Riccio as the Old Testament priest, Eleazar.

However, the artist soon left the workshop of Raffaellino del Garbo and went to work with Pontormo, who was first his master, then later the two became friends and collaborators. With his stay in Pesaro he then had the opportunity to come into contact with the great artists who worked in Urbino, such as Piero della Francesca and Dosso Dossi himself, but also with artists such as Giovanni Bellini and Titian.

The early years of his career, however, are marked by his closeness to Pontormo: the best viaticum for a career that made him one of the most appreciated painters of his time. Bronzino, Allegory of the Triumph of Venus c. In the s he completed his training first under Raffaellino del Garbo then together with Pontormo he would enter his workshop around , with whom he later became good friends.

Also with Pontormo, in he worked on the church of Santa Felicita in Florence, where he executed the tondi with the evangelists Matthew, Luke and Mark.

Jekyll and Mr. Hyde turned artist.

Around he painted the Lamentation over the Dead Christ in the Uffizi. In he stayed in Pesaro where he went to work for the Della Rovere family on the Villa Imperiale decorations along with Dosso Dossi. In he returned to Florence, from where he would not move again except for short stays. He again helped Pontormo with the frescoes in the Medici villa at Poggio a Caiano.

He became in a member of the Accademia Fiorentina founded by Cosimo I.