Essay about ar rahman

Rahman is an Indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist. Described as the world's most prominent and prolific film composer by Time, his works are notable for integrating Eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements.

His extensive body of work for film and the stage earned him the nickname "the Mozart of Madras" and several Tamil commentators and fans have coined him the nickname Isai Puyal English: Music Storm. Having set up his own in-house studio called Panchathan Record Inn at Chennai, arguably one of Asia's most sophisticated and high-tech studios, Rahman's film scoring career began in the early s with the Tamil film Roja.

Working in India's various film industries, international cinema and theatre, Rahman is one of the world's all-time top selling recording artists. In a notable career spanning two decades, Rahman has garnered particular acclaim for redefining contemporary Indian film music and thus contributing to the success of several films.

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Rahman is currently one of the highest paid composers of the motion picture industry. He is a notable humanitarian and philanthropist, donating and raising money for beneficial causes and supporting charities. Skilled in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, Rahman has been noted to write film songs that amalgamate elements of these music systems and other genres, layering instruments from differing music idioms in an improvisatory manner.

Symphonic orchestral themes have accompanied his scores, occasionally employing leitmotif.

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In the s, Rahman recorded and played arrangements on monophonic sound, synonymous with the era of his musical predecessors K. Mahadevan and Vishwanathan—Ramamoorthy. In later years his methodology changed as he experimented with the fusion of traditional instruments with new electronic sounds and technology. Rahman's musical interests and outlook stem from his love of experimentation.

Rahman's compositions, in the vein of past and contemporary Chennai film composers, bring out auteuristic uses of counterpoint, orchestration and the human voice, melding Indian pop music with unique timbre, forms and instrumentation.