Rustom bharucha biography of rory end

Rustom Bharucha, for instance, has frequently evinced concern about the danger of intercultural borrowing and recontextualization to sub- vert cultural.

Cole Catherine M. Textures serves as an online publication platform of the Research Center. The performance focuses on recording techniques during colonialism, specifically from in Southeast Asia and the ways they are exhibited in today's museums as well as their inherent power dynamics. In this interview, IRC-Fellow Sola Adeyemi, a lecturer in theater and performance at Goldsmiths, University of London, introduces the wide range of his research interests in global theater and performance.

Talking about his research project "Dramatizing the Postcolony: Nigerian Drama and Theater", he aims at proffering a new dramatic interpretation of the colonial historiography and postcolonial conquest and at suggesting a new reading of the legacy of dramatic narratives.

A former advertising executive and a dedicated academic, he is currently pursuing a PhD in Theatre Arts at the School of Performing Arts, University of Ghana.

Adeyemi's study uses geographical mapping and dramatic narratives to express the idealism and figurative ideas that are representational of the cultural manifestations that construct the nature of postcolonial encounters in Africa. Adeyemi also explains how his passion for the theater arouse and his connection to Femi Osofisan. Working as a curator and dramaturg he positions his research in the intersection of theoretical and practical work with a close focus on intermediality.

Politics of Fear. Pieter Verstraete is an independent theater scholar who, for the past 6 years, had been working and researching in Turkey. The political development of the last years has had many effects, e. Verstraete is not only one of those who had to leave the country but also an expert on contemporary Turkish theater. In this very personal and moving text, he shares his impressions of the last two years and gives a brief insight into a few of the artistic consequences.

In this video-interview, IRC-Fellow Catherine Cole, Professor of Drama and Dean of the Arts at the University of Washington, talks about her work and in what way her personal background has been interwoven with the course of her studies and research. Cole has been focussing her research first on Ghana and later on South Africa.