Yann toma biography template

Yann Toma, born in , lives and works in Paris.

His enactment of the Man in Gold in artistic performance (in collaboration with Yann Toma) and the fable he created about it (see.

Artist-observer at the UN since , he poses his work and reflection on the border of artistic and civic expression and inscribes it in political and media news S. Shusterman , must not camouflage its underlying coherence. It is structured according to two guidelines: the principle of reactivation and art as a form of energy P. He is also the co-founder of the movement Maximalisme.

Through his works, Yann Toma is the initiator of organigrams as well as cryptings, that is to say, encrypted languages. Morse code, Scott code, pigeons, tyres, secret messages are common elements used by him to activate networks that he puts in position to connect quarters, cells or pavilions. His physical and geopolitical inscription in the UN framework and its actors places his artistic work at the heart of issues related to climate change and energy in which the artist engages processes of revelation, takes a position with his body by coming into contact with some hidden and open senses that the public itself is able to grasp but that it continually loses sight of because of what the artist identifies as «his conditioning», in particular by not perceiving the masses of natural influx that ensure our relationship with nature.

Yann Toma (Saint-Etienne: Cité du design,.

Selected work: Circles. Social media:. Website: www. Edition Follow us. Contact us. She fully believes in her own imagination and the logical or alogical digressions that shape an inner life. Artistic work.